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A mastering engineer’s gear is like the artists palette. We have a great collection of gear that we know intimately. We have many different equalizers and compressors because their different sounds represent the “colors” of our acoustical palette. Mastering is a very creative process. It’s important to have the right gear at your fingertips to help work holistically and not spend time going from the right brain over to the left brain to work out a technical problem or figure out how to work a plug-in. When I conceived Gateway Mastering Studios, my intent was to have world-class quality available in every aspect of the studio. By starting my business in Portland, Maine instead of a huge metropolitan area, I was able to build one of the best sounding studios in the world with one of the best monitoring systems available. No expense has been spared to create our facility and acquire the highest quality equipment in the world, but ultimately, great ears, experience, and technical abilities, set good mastering engineers apart from the pack. Our delight is to work with the world’s best artists and help them achieve their vision. You have to create an organic space in order to live in the music. Bob Ludwig
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Adam Ayan
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